ZEN WU SOPRANO
Zen Wu [she/her] is a dramatic coloratura soprano from the San Francisco Bay. Trained as a vocalist and multi-instrumentalist in a wide range of genres, she collaborates on a variety of projects from the opera and concert stages to chamber music and movie soundtracks. Wu performs and records as a soloist and guest musician with many groups including the New York Philharmonic, LA Philharmonic, San Diego Opera, Santa Fe Opera, Beth Morrison Projects, Musica Sacra, Cathedral Choir of St. John the Divine, SEM Ensemble, Ensemble Ipse, and Ghostlight Chorus.
She began her music studies in piano and violin before joining the Crystal Children’s Choir at the age of 6, with which she sang for twelve years, performing at choral festivals and conferences across Asia, Australia, North America, and Europe throughout her childhood and adolescence. She studied biochemistry and began her formal studies in classical voice at the University of California San Diego, where she was immersed in contemporary and experimental performance in addition to her training in traditional bel canto repertoire and technique. Wu sang two seasons with the San Diego Opera Chorus before making her professional mainstage debut as Lauretta in Gianni Schicchi and moving to New York, where she is currently based as a freelance classical artist. Recent solo engagements include the Czech premier of Luigi Nono’s Prometeo and the New York premier of Max Duykers’ Both Eyes Open.
Wu is lauded for her interpretations of canon works as well as her fearless championing of 20th century and new music. In addition to her performance and recording activities, she directs sacred vocal music, plays the organ, teaches private lessons, and contracts singers on behalf of churches and instrumental ensembles. Wu studied jazz and holds a degree in political science from Columbia University and writes extensively on the intersections of human rights, politics, performance art, race, and ethics in her spare time.
full bio/discography/CV available by request
𝍕𝌒𝍎
Photo by Akiyo Komatsu
Bach
Magnificat
Barber
Prayers of Kierkegaard
Fauré
Requiem
Feldman
Rothko Chapel
Handel
Messiah
Mendelssohn
Hear My Prayer
Paulus
Mozart
Mass in C
Requiem
Vesperae solennes de confessore
Pärt
Magnificat
Schubert
Mass in G
Vivaldi
Gloria
Adams
Madam Mao, Nixon in China
Bellini
Amina, La sonnambula
Giulietta, I Capuleti e i Montecchi
Delibes
Lakmé, Lakmé
Donizetti
Adina, L’elisir d’amore
Giannetta, L’elisir d’amore
Lucia, Lucia di Lammermoor
Duykers
Catherine Matsumoto, Both Eyes Open
Gounod
Juliette, Roméo et Juliette
Handel
Alcina, Alcina
Massenet
Noémie, Cendrillon
Donna Anna, Don Giovanni
Zerlina, Don Giovanni
Fiordiligi, Così fan tutte
Pamina, Die Zauberflöte
Königin der Nacht, Die Zauberflöte
First Lady, Die Zauberflöte
Second Lady, Die Zauberflöte
Papagena, Die Zauberflöte
Mozart
Nono
Soloist 1, Prometeo
Puccini
Lauretta, Gianni Schicchi
Suor Angelica, Suor Angelica
R. Strauss
Zerbinetta, Ariadne auf Naxos
Verdi
Violetta, La traviata
2024-2025 SEASON VIA INSTAGRAM:
@zenwuzen
TEACHING
Wu has taught music in both English and Mandarin in private and group settings for over ten years. She offers language immersion music lessons in Manhattan, Brooklyn and Queens.
Information on scheduling a trial lesson in voice or piano is available upon request.
In Progress
YELLOW VOICE
“As a figure of artistic investment and racial denigration, the yellow woman bears the privileges as well as the penalties for being an aesthetic being.” - Anne Anlin Cheng, Ornamentalism
project underway | patience, please