black and white headshot of Zen Wu, facing forward, hair down

ZEN WU   SOPRANO

Zen Wu [she/her] is a dramatic coloratura soprano from the San Francisco Bay. Trained as a vocalist and multi-instrumentalist in a wide range of genres, she collaborates on a variety of projects from the opera and concert stages to chamber music and movie soundtracks. Wu performs and records as a soloist and guest musician with many groups including the New York Philharmonic, LA Philharmonic, San Diego Opera, Santa Fe Opera, Beth Morrison Projects, Musica Sacra, Cathedral Choir of St. John the Divine, SEM Ensemble, Ensemble Ipse, and Ghostlight Chorus.

She began her music studies in piano and violin before joining the Crystal Children’s Choir at the age of 6, with which she sang for twelve years, performing at choral festivals and conferences across Asia, Australia, North America, and Europe throughout her childhood and adolescence. She studied biochemistry and began her formal studies in classical voice at the University of California San Diego, where she was immersed in contemporary and experimental performance in addition to her training in traditional bel canto repertoire and technique. Wu sang two seasons with the San Diego Opera Chorus before making her professional mainstage debut as Lauretta in Gianni Schicchi and moving to New York, where she is currently based as a freelance classical artist. Recent solo engagements include the Czech premier of Luigi Nono’s Prometeo and the New York premier of Max Duykers’ Both Eyes Open.

Wu is lauded for her interpretations of canon works as well as her fearless championing of 20th century and new music. In addition to her performance and recording activities, she directs sacred vocal music, plays the organ, teaches private lessons, and contracts singers on behalf of churches and instrumental ensembles. Wu studied jazz and holds a degree in political science from Columbia University and writes extensively on the intersections of human rights, politics, performance art, race, and ethics in her spare time.

full bio/discography/CV available by request

𝍕𝌒𝍎

Photo by Akiyo Komatsu

Bach

Magnificat

Barber

Prayers of Kierkegaard

Fauré

Requiem

Feldman

Rothko Chapel

Handel

Messiah

Mendelssohn

Hear My Prayer
Paulus

Mozart

Mass in C
Requiem
Vesperae solennes de confessore

Pärt

Magnificat

Schubert

Mass in G

Vivaldi

Gloria

Adams

Madam Mao, Nixon in China

Bellini

Amina, La sonnambula

Giulietta, I Capuleti e i Montecchi

Delibes

Lakmé, Lakmé

Donizetti

Adina, L’elisir d’amore
Giannetta, L’elisir d’amore

Lucia, Lucia di Lammermoor

Duykers

Catherine Matsumoto, Both Eyes Open

Gounod

Juliette, Roméo et Juliette

Handel

Alcina, Alcina

Massenet

Noémie, Cendrillon

Donna Anna, Don Giovanni
Zerlina, Don Giovanni

Fiordiligi, Così fan tutte

Pamina, Die Zauberflöte
Königin der Nacht, Die Zauberflöte
First Lady, Die Zauberflöte
Second Lady, Die Zauberflöte
Papagena, Die Zauberflöte

Mozart

Nono

Soloist 1, Prometeo

Puccini

Lauretta, Gianni Schicchi

Suor Angelica, Suor Angelica

R. Strauss

Zerbinetta, Ariadne auf Naxos

Verdi

Violetta, La traviata

2024-2025 SEASON  VIA INSTAGRAM:
@zenwuzen

TEACHING

Wu has taught music in both English and Mandarin in private and group settings for over ten years. She offers language immersion music lessons in Manhattan, Brooklyn and Queens.

Information on scheduling a trial lesson in voice or piano is available upon request.

In Progress

YELLOW  VOICE

“As a figure of artistic investment and racial denigration, the yellow woman bears the privileges as well as the penalties for being an aesthetic being.” - Anne Anlin Cheng, Ornamentalism

project underway | patience, please

CONTACT